![]() Which is not to say that the film is an old-school jidaigeki with more extras (5,000 to be exact). ![]() They maximize the impact of the many sword-fight scenes with crisp pacing and cool, inventive moves, while keeping a rein on the sort of eye-blink cuts and eye-candy CGI effects that drain so many action films of anything resembling realism. What makes this sequel and its predecessor different from the jidaigeki that have recently sunk without a box-office trace? One thing is how director Keishi Otomo and action choreographer Kenji Tanigaki, a disciple of Hong Kong martial arts star Donnie Yen, handle the on-screen action. Rurouni Kenshin: Kyoto Taika-hen (Rurouni Kenshin: Kyoto Inferno) Rating
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